Vintage Guitar – Parts and Identification

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Serial Numbers – Trombone

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(Book). The Martin Ukulele is a detailed look at the ukuleles built by the C. F. Martin Co. of Nazareth, PA, and at how the instruments’ success forever changed the company that made them.

Neville used the guitar with the Fruit Eating Bears. One was taken for the compilation CD. The other was taken in at Jackson studios Rickmansworth whilst recording tracks for the said album. I used it all the time on gigs as a back up guitar, when strings went on the telecaster, the most notable occasion being the Chelmsford Rock punk festival when John Peel took photos of me playing it with blood dripping from my fingers.

I mean the action s not that bad. He says he still has the photo, but can t find it. Anyway the Rapier still looks the same today, 25 years on. Is that Buddy Holly with a Rapier

C melody saxophone

Advantages[ edit ] A major selling point for the C melody saxophone was the fact that in contrast to other saxophones, it was not a transposing instrument. As a result, the player could read regular printed music e. This enabled amateur musicians to play along with a friend or family member by reading from the same sheet of music—so long as the music fell within the pitch range of the C melody saxophone itself, that is, was not too high or low. Many novelty tunes, most influenced by s dance music, were written specifically for the instrument.

They were sometimes also used in churches to accompany hymns. Mouthpieces[ edit ] Dedicated mouthpieces were produced for the C melody saxophone, though these may be hard to find in the 21st century.

VISITORS’ GALLERY The page where other people’s Hofner guitars are featured. HOFNER FULL-BODIED & THINLINE ARCHTOPS SELMER UK DISTRIBUTED MODELS: c to Mid’s.

Learn more by clicking the link below. Sorry that I have to say this, but too many people have not been able to figure it out on their own. Please do not just email me a serial number and demand that I tell you how old it is. First of all, that is rude. Second, as fully discussed in the dating guide, there is much more to it than that. Third, it takes time to answer each request. The dating guide was written to provide tools to assist the drum owner to figure it out for themselves.

If you just want an answer in order to sell the drum on eBay or Craigslist, I suggest that you just provide pictures of the drums, paper labels, badges and other information in your listing and let your buyer determine how old it is. Let the drum speak for itself.

Reading pot codes

Rare “stell adjustable neck” teisco gen gakki hollow body AncientSociety An early s pot from a Gibson guitar. Once decoded, the writing on the back or sides can be very informative If you’ve been reading articles about dating a vintage guitar, you may well have come across mention of pot codes. The pots, or potentiometers to give their full name, are the variable resistors that control volume and tone. Better quality pots are often stamped with a number of codes; typically part numbers, date of production, manufacturers codes and resistance values.

The following picture-sets of Hofner archtop and semi-acoustic guitars have been sent to me over the years by their owners. This has allowed me to present a much greater range of models and vintages than encompassed by my own collection, and maybe this will help other visitors to the site to identify and date their own Hofner.

Click on a box to sort the full inventory of instruments available by category Today’s Featured Horns Getzen Custom Model AFR Trombone I must admit, this is not a normal Getzen to me, it holds a special place in my heart this is actually my first professional trombone that my parents bought for me in at Zeps Music in Burbank. Oh the things I promised my parents to get them to purchase this trombone for me its something I will never forget, and actually a memory I still recall when I have young students come into my shop to purchase a new trombone with their parents.

I got into college on this trombone and played some of my most memorable performances in my young career on it. I sold this trombone in in order to fund my first Conn 88H after I fell in love with the Conn sound. It’s been well loved since then, serving its second owner well, who recently traded it in here at The Brass Ark to get something newer.

So again, for the second time in my life, I offer my original professional trombone for sale. Features a 2 piece red brass bell, thayer valve, wide orchestral weight slide. Threaded leadpipe receiver, with one leadpipe.

HOFNER LINKS

Open any book on guitars or rock music and the names Fender, Gibson, Gretsch, etc. Those names belong to the manufacturers who produced the top quality designs which continue to appeal to the majority of guitarists and hence resulted in sales figures which dwarf Hofner’s output. The deserved success of such instruments in popular music over the last 50 years has put Hofner guitars somewhat in the shade! However, all is no lost. If one looks hard enough one can find some books, and now several web sites, dedicated to providing information on Hofner guitars.

There are also more general works of reference that provide more incidental information.

clarinets. please double click the title or picture to view a photo gallery. if you do not see the clarinet you require please call. over fifty quality instruments in stock.

Another comparatively rare guitar. Owned by Mike Hardaker of South Africa. The Verithin featured a hollow, twin cutaway body with a depth of only 30mm. The body cutaways were the rounded “Venetian” type through to , during which year these were changed to “Florentine” pointed cutaways. The Florentine guitars were given various marketing names, such as “Deluxe” and “66”. For the first year or so, the guitar was finished in “russet-mahogany”, but this then changed to the brighter “Cherry Red” finish that is synonymous with the Verithin.

A “Lyre” style tailpiece was the standard fitting throughout the production life of the Verithin, but a Bigsby vibrato tailpiece was offered from late In the actual event, the majority of Verithins left the Hofner or Selmer workshops in th early years fitted with Bigsby units. The slotted “ebony” bridge with fretwire saddles as fitted for the first two or three years was later replaced by Hofner’s “Micromatic” bridge. The usual floating pickguard, in black celluloid with white edging, was fitted to the body by means of panel pins and a single chrome bracket.

A twin pickup arrangement was the norm on the Verithin, although a small number of three pickup Verithin ” ” models were produced in

C melody saxophone

The only force powerful enough to stop their progress was the bombing of Pearl Harbor on December 7, According to history, all makers dropped what they were doing to join the war time effort. Epiphone had suspended their guitar production to make aileron parts for aircraft. However, the company emerged from the war with a different face…the man whose name was on every musical instrument had died during the war.

When the war ended in Epiphone renewed its battle with Gibson, however Gibson never resumed making upright basses and Epiphone again held strong with its upright bass making prowess. The Epiphone catalog showed this line up of basses with a notion that many items were not yet back into production after WWII.

Introduction. For most collectors, pre-CBS (pre) Fender vintage guitars and amps are the desirable ones. Although CBS purchased Fender (officially) on January 3rd , it took some time till the guitars changed (though by mid , six months before .

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Conn Tenor Saxophone

Bass 6 , to Typical wear on a ‘s Fender maple fingerboard. Fingerboard Material Maple fingerboard, s: This was the standard neck on all models until when the Jazzmaster was introduced with a rosewood fingerboard; the rest of the Fender models changed to rosewood fingerboards in mid

This guitar manufacturer started out as a parts supplier in the early s. Atlansia didn’t begin production of guitars under their badge until infamous engineer and designer Nobuaki Hayashi of Matsumoku fame became the company’s president and chief designer in the late s.

Advantages[ edit ] A major selling point for the C melody saxophone was the fact that in contrast to other saxophones, it was not a transposing instrument. As a result, the player could read regular printed music e. This enabled amateur musicians to play along with a friend or family member by reading from the same sheet of music—so long as the music fell within the pitch range of the C melody saxophone itself, that is, was not too high or low.

Many novelty tunes, most influenced by s dance music, were written specifically for the instrument. They were sometimes also used in churches to accompany hymns. Mouthpieces[ edit ] Dedicated mouthpieces were produced for the C melody saxophone, though these may be hard to find in the 21st century. The C melody has a muted sound when compared to other saxophone types, particularly if an original vintage mouthpiece is used.

This made it particularly useful for its originally intended environment of playing in drawing rooms. C melody mouthpieces often give a C melody saxophone a slightly muffled sound, which may or may not be what the player desires. Some players successfully use a tenor saxophone mouthpiece e.

Guitar Player Magazine Backissues

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Bach New York Model 6 Early Vintage. Gorgeous New York Bach model 6 trombone, early production serial number 44x. Dates to the s. These were some of the most popular trombones of the day and still hold up to modern professional standard.

It is in fact the very first “Club-Style” guitar that I have seen with Hofner-fitted active electrics. So, it was even more disturbing to hear that the guitar, after being purchased “on-line”, had arrived in pieces and was in very poor condition. Luckily, the new owner, Bob Cocozza, has employed the services of James Payze in the UK Red Barn Repairs to restore the guitar, the results of which can be seen on the linked page. It is interesting to see that this guitar was fitted with a centre body sustain block, which is very unusual on a “Club-Style” guitar..

It did actually appear in the “New Guitars” supplementary price list of Spring together with the Fledermaus guitar, but not in the main Hofner price list. I haven’t been able to find any reference to it in any Hofner catalogue. Very few are in existence, and the controls and electrical circuitry seem to vary between examples. Walter Hofner was very interested in guitar circuitry, and this was no doubt just one of his projects.

The was basically a Club-Style guitar fitted with a transistorised amplifier circuit, a battery, and a small loudspeaker. This all leads to a heavy guitar with limited sound quality and battery endurance. It would seem that they were not a success and hence, just as with the Fledermausguitarre, the model had disappeared within months. It is fitted with a Fuma metal pickup at the neck location and a Hofner black-bar pickup at the bridge. The Fuma pickup may have been a replacement for another black-bar pickup.

Saxquest! Selmer Mark VI Alto Serial # 143344